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February, 2010

  1. Film Student for Life: The Cove – Never look at Flipper the same way again…

    February 26, 2010 by me

    It’s like: Ocean’s 11 meets Free Willy

    Star’s you’d know: Ric O’Barry, Flipper’s trainer

    Their tagline: Shallow water. Deep secret.

    My tagline: Red water runs still.

    Verdict: Intriguing.

    I’m not a huge documentary fan, so when I say I like a documentary, you have to know that comes from someone who has a short attention span and hates politics. And this one had a lot of politics, but also a clear message. It’s an intriguing documentary that uses state-of-the-art equipment to expose the shocking truth about “the cove”.

    But also like any documentary, it is a complicated two-sided story. On one side you have Flipper’s trainer, Ric O’Barry, trying to rectify his involvement in Flipper’s captivity (and ultimate popularity) by trying to free dolphins from slaughter, and on the other side, you have the Japanese government and the little remote village of Taijii, sick of Western ways, trying to continue their “traditions” of whaling rights. It’s so much more than good versus evil. And it’s not a story of survival of the fittest. It’s a story of how one man (with very powerful friends) can (hopefully) change the landscape of a brutal practice of animal abuse at “the cove”.

    Yes, dolphins get slaughtered. Yes, they show it on camera. And yes, it’s very painful to watch. It’s basically the equivalent to seeing a fox get skinned for a fur coat. It sucks. And there is one overhead shot of the cove that will make your heart stop. But the kicker comes when you realize that these fisherman are slaughtering these dolphins for meat, which is so high in mercury that if eaten, could kill you. But why, if they cannot be eaten, are they slaughtering them? That becomes the focal point of the documentary. And while some people can cry “propaganda” (because what documentary isn’t), it’s still interesting to see the political side of this Western world versus ancient traditions that take place. If anything, it opens up a dialogue.

    And it very much shows like a Hollywood film. You have the main character, a flawed, broken-down man, who spent his youth training dolphins in Hollywood, only to spend his days now trying to free them from captivity. (His story about his turning point is rather poignant and tugs at the heart strings). You have the special ops team that read like Ocean’s 11: the film guy, the recon guy, the military guy, the two freedivers, the Industrial Light and Magic guy (you’ll understand when you watch it). And then you have the intriguing script of questions…government conspiracy? worldwide cover-up? political bribery? David versus Goliath? It really is a Hollywood story wrapped up in an hour and a half…

    And, if anything, it makes you aware of this horrible and brutal practice of animal abuse and the bureaucracy crap that comes with protecting the wild.

    But beware: you may never want to go to Sea World or eat sushi again.


  2. Contemplations :Leave the inventory at the door. (Take the cannoli)

    February 23, 2010 by me

    I’m a planner. Like a big pre-planner. As in I like pre-production and post-production, but actual production, no thanks. So it comes to no one’s surprise that when there is even the slightest crinkle in a plan, I freak out. I obsess. I basically breakdown and have to dig myself out of the self-induced depression, or lay low until it eventually works itself out.

    And it always works itself out.

    That’s the thing, I’m a strong believer in fate and karma and predetermination, but I can’t let things not affect me. You know, “sticks and stones my break my bones, but words will never hurt me?” Well, I can never let it go. I take everything personally. And who knows if it’s my upbringing or just my innate personality, but I usually cannot not take something personally. I truly wish I could let everything ride, go with the flow, bounce it off of me, but no, I was not blessed with a rubber psyche, I take everything to heart and have the need to psychoanalyze everything. How the plan didn’t go my way, why it didn’t go my way, what went wrong, etc. et al. When really, all I should really be doing is being ecstatic that Lost is on, and I finished the RedEye crossword puzzle.

    And while it would be nice to come home to someone to hug, hand me a glass of wine, and tell me everything’s going to be alright, I’ll settle for what I have now: a dog who jumps on me, wags his tail, and doesn’t care what today brought, just as long as he’s fed on time.

    You can’t take on everyone else’s inventory. You can’t plan everything, cause nothing is perfect. And above all else, you must trust that out of challenges comes inspiration…

    or just rambling blog posts…

    huh, look at that….everything worked itself out….


  3. Film Student for Life: Dear John – Extra Chapters Needed.

    February 1, 2010 by me

    It’s like: any other Nicholas Sparks movie…the BAD kind.

    Stars you’d know: Channing Tatum (Public Enemies, Step Up), Amanda Seyfried (Mamma Mia), Richard Jenkins

    Their tagline: What would you do with a letter that changed everything?

    My tagline: Letters only tell half the story.

    Verdict: Eh, not so much.

    I love romantic stories, I’ll admit it, I’m a sucker for them. Watch me ball my eyes out at The Notebook or A Walk To Remember. These are the Nicholas Sparks movies that I love. And Dear John had so much potential for my tears: Channing Tatum (cutie) as a soldier on leave and Amanda Seyfried (cutie) as the girl that falls in love with him. Anything that has to do with falling in love and soldiers usually tugs at the heartstrings. And they write letters to one another? Sign me up.  This one, however, left a lot to be desired. First things first…I did enjoy the first hour. The first hour, the cuteness factor and the falling in love, even the “I have to do my duty so send me letters” thing was cute. The secondary storyline played by Richard Jenkins made it all the more enjoyable.  But then, get to 1:15 in and…well, I don’t want to give it away. But let me put it this way: Never before has a movie made me WANT to read the book. And this is what this movie did for me. They spent so much time investing my interest that by the time they got it, they tried to force too much on the viewer to digest. I felt like huge chunks, that were probably well-written in the book, were just left out of the script to make the movie shorter and Hollywood-ized. Only problem with that was, by the end, I was so disgusted with the fact that huge plotlines were just thrown at me without any warning, that I left the theatre with a bad taste in my mouth. This movie had a lot of potential because I think these types of movies hinge on the chemistry of the actors, and while the chemistry was there, the extra chapters weren’t.

    Just throw it into the BAD Nicholas Sparks movies, i.e. Nights of Rodanthe.